The duo reflect on the end of their show and the future of comedy
The producer of Edge of the Knife discusses making the world’s first Haida-language feature film
Advance theatrical runs for several of the streaming giant’s films signal a major shift in its release strategy
The filmmaker’s look at battle-rap culture is being praised as one of 2018’s best satires
The director of Mudbound tells us how a Dr. Scholl's commercial shoot changed her life
Steven Markovitz, the producer of Rafiki, talks about how we can get more African films on the world stage
One of the film industry’s rising stars speaks about how Korean cinema is giving him the richest roles of his career
TIFF’s Documentary Programmer Thom Powers tries to explain the genre’s recent boom
The CEO of ScriptBook thinks that AI will soon be influencing which films get the green light
The director of Winter’s Bone and Leave No Trace breaks down her remarkable talent for spotting — and directing — the “next big thing”
Indonesian director Mouly Surya's Marlina the Murderer in Four Acts reimagines the spaghetti western
Producer Adi Shankar challenges the public to solve The Simpsons’ Apu controversy
The acclaimed indie filmmaker gives a crash course on his DIY philosophy
The film has helped reignite the country’s long-stagnant gender identity bill
What can this year’s list of winners teach us about the direction of film?
FiveThirtyEight.com proposes a revamped version to address Hollywood’s core inequalities
Indiewire's Anne Thompson on the streaming wars
Tre'vell Anderson would like you to look at some receipts.
The director and producer of The Boss Baby look to the future of animation