A long-standing TIFF tradition, the People’s Choice Awards are marking their 47th year. The People’s Choice Award is an Oscars bellwether that has history, dating back to Chariots of Fire; The Princess Bride; Slumdog Millionaire; and including 2023’s debut feature from Cord Jefferson, American Fiction. All feature films and Primetime series in TIFF’s Official Selection are eligible. The winners of the People’s Choice Awards will be announced on Sunday, September 15, 2024.
The 2024 People’s Choice Awards are presented by Rogers.
With 18 feature films and many opera and theatre productions, Atom Egoyan is internationally known for his award-winning work. His latest film, Seven Veils, had its World Premiere at TIFF last year, before its International Premiere at the Berlin Film Festival, and was Opening Night Gala at the Yerevan International Film Festival in Armenia this summer.
Photography: Ulysse del Drago
Since 1998, when Hur Jin-ho made his debut with Christmas in August, he has attracted the attention of the film industry by his own colour. He has directed international works including A Good Rain Knows and Dangerous Liaisons, and spread the boundary of his artistry to the TV series Lost. His recent film, A Normal Family, was invited to be a TIFF 2023 Gala Presentation.
Jane Schoenbrun is a non-binary filmmaker and writer dedicated to making and supporting personal, queer cinema. Their work includes I Saw the TV Glow, We’re All Going to the World’s Fair, A Self-Induced Hallucination, and the punk-rock variety TV show The Eyeslicer. Their first novel, Public Access Afterworld, will be published by Hogarth in 2025.
Photography: Kristina Bumphrey
TIFF continues to celebrate the unique craft and storytelling within Canadian cinema with the Best Canadian Feature Film Award. All Canadian feature films in Official Selection — excluding first or second features — will be considered for the award. The winning filmmaker will receive a $10,000 CAD cash prize.
The 2024 Best Canadian Feature Film Award is presented by Canada Goose
The Best Canadian Discovery Award celebrates works of emerging filmmakers who contribute to enriching the Canadian film landscape. All first or second feature films in Official Selection by Canadian filmmakers are eligible for this award. The winner will receive a cash prize of $10,000 CAD.
The 2024 Jury for the Best Canadian Feature Film and for the Best Canadian Discovery Award
Best Canadian Discovery Award
Special Honourable Mention
dirs. Marie-Hélène Viens, Philippe Lupien
Estrella Araiza is the General Director of the Guadalajara International Film Festival and Cineteca FICG. Her work has focused on Mexican and Latin American Cinema. Her career includes experience as the director of Industry and Market of the FICG, a sales agent, an academic, and a cinema distributor. She has served on juries in international film festivals and has collaborated with international film markets.
Chelsea McMullan is a director and producer based in Toronto. Their work in documentary, experimental narrative, and hybrid films often explore the work of leading international artists through the cinematic frame. In 2023, they premiered Swan Song (CBC/Dogwoof), a verité-driven feature documentary and four-part limited series that follows the National Ballet of Canada as the company mounts a new production of Swan Lake. Other films include: Ever Deadly, Crystal Pite: Angels’ Atlas, and My Prairie Home.
Randall Okita is a Japanese Canadian artist and filmmaker known for innovative storytelling and rich visual language. His work, which spans film, VR, and sculpture, has earned more than 20 international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize.
Films in the Short Cuts programme are eligible for two jury-selected Short Cuts Awards: Best International Short Film and Best Canadian Short Film. These awards provide each winner with a bursary of $10,000 CAD to help them continue achieving success in their careers.
Best International Short Film
Special Honourable Mention
dirs. Job Roggeveen, Joris Oprins, Marieke Blaauw
2024 Short Cuts Award:
Best Canadian Short Film
Are You Scared To Be Yourself Because You Think That You Might Fail?
dir. Bec Pecaut
Luis De Filippis is a Canadian Italian filmmaker. Her films include the short For Nonna Anna (2017), which received a Sundance Special Jury Prize. Her debut feature, Something You Said Last Night (2022), received the TIFF Changemaker Award, Sebastiáne Award at the San Sebastián film festival, and the Rotterdam Youth Jury Award. De Filippis is an alum of the TIFF Talent Lab, TIFF Writer’s Studio, and CHANEL writing fellowship.
Micah Kernan is the Development Manager for both Drama and Comedy. She coordinates the management, tracking, and distribution of projects. She supports the team by evaluating pitches and being the point of contact for creators to connect with CBC. Kernan is the current programmer for Canada’s longest running short film showcase, Canadian Reflections. At the CBC, inclusion and representation are a priority ― this means Kernan works to reflect all of the country’s regions and its multifaceted nature while programming for Canadian Reflections.
Shane Smith is a documentary programmer at TVO. From 2015 to 2023, he was a programmer and artistic director at Hot Docs, North America’s largest festival and market for documentary film. Smith previously worked at the Toronto International Film Festival as the director of special projects and director of public programmes. Other roles include short film programmer at Sundance, director of programming at Channel Zero Inc, and executive producer in-flight entertainment at Spafax Canada. Smith has served on juries and spoken on panels at Festivals and events globally.
Presented by the Network for the Promotion of Asian Pacific Cinema, the NETPAC Award recognizes films specifically from the Asian and Pacific region. The jury consists of three members of the international community selected by TIFF and NETPAC, who award the prize to the best Asian film by a first or second-time feature director.
Hannah Fisher has spent many years working in the international industry as a festival director, a festival artistic director, and, most recently, as an international consultant and programmer. She has particularly loved working in events abroad as with festivals such as Dubai (UAE), Kolkata, Kerala Ladakh (India), Bangkok, (Thailand), Krakow (Poland), San Diego, Heartland Festival (USA), and Montreal, and as Director of the Vancouver International Film Festival.
Dr. Vilsoni Hereniko, this year’s jury chairperson, had his first narrative feature film, The Land Has Eyes, premiere at the Sundance Film Festival in 2004 and was Fiji’s submission to the Academy Awards in 2005. It also won Best Dramatic Feature at the Toronto ImagineNATIVE Film + Media Arts Festival in 2004. His animated short film won the Berlin Independent Film Festival in 2022 as well as the Los Angeles International Film Festival the same year. He is also the current President of NETPAC/USA and a professor at the School of Cinematic Arts at the University of Hawaiʻi.
Kerri Sakamoto is an award-winning Japanese Canadian author whose books have been translated into numerous languages and published internationally. She has worked with acclaimed filmmakers as a screenwriter and story editor.
The FIPRESCI Prize is presented by an international jury selected by the International Federation of Film Critics. Founded in 1925, the Federation is an organization of professional film critics and film journalists for the promotion and development of film culture and the safeguarding of professional interests. The Federation awards the prize at international film festivals and film festivals of particular importance to promote film art and to encourage new and young cinema.
Li Cheuk-to is Curator at Large of Hong Kong Film and Media for M+ Museum, and is also the current Board Chairman of Hong Kong Film Critics Society after serving as its founding President from 1995 to 1999. He has been the Artistic Director of Hong Kong International Film Festival Society from 2004 to 2018.
Pierre-Simon Gutman is deputy editor of the movie review L’Avant Scene Cinema. After studying literature at La Sorbonne, he wrote his PHD thesis on the American filmmaker Michael Cimino. He has written for 3 Couleurs, Les Fiches du Cinéma, and Eclipse(s). He teaches cinema at l’ESRA in Paris and Brussels, after having previously taught at the universities Paris VII and Nancy 2. He has also directed several short features and was for many years a programmer for the Critics’ Week of the Cannes Film Festival, on both the short and feature-film committees. He currently sits on the administration board of the Critics’ Week. He also was a member of the official jury for the Camera d’Or at the 2021 edition of the Cannes Film Festival.
Azadeh Jafari is a film critic, writer, and translator based in Tehran. She contributes regularly to different film magazines in Iran. Her English writing on world cinema has appeared in Cinema Scope, Film Comment, Reverse Shot, LOLA, and on the TIFF website. She has translated Berenice Reynaud’s book A City of Sadness on Hou Hsiao-hsien’s masterpiece into Persian and has also contributed to the book Luminous Void – Twenty Years of Experimental Film Society.
Saffron Maeve is a Toronto-based critic and film programmer. Her writing has appeared in Film Comment, The Globe & Mail, MUBI Notebook, Cinema Scope, Toronto Star, and Screen Slate. She is an active member of the Toronto Film Critics Association and GALECA, the Society of LGBTQ Entertainment Critics.
Wilfred Okiche is a Rotten Tomatoes–certified culture critic and film programmer. He has attended critic programs and reported from film and theatre festivals in Locarno, Rotterdam, Stockholm, and Sundance. Wilfred has worked on the programming team for Film Africa in London and Encounters in South Africa. He has mentored fast rising film critics at Talents Durban and served on the selection committee of Berlinale Talents. His writing has appeared in Variety, IndieWire, The Continent, and Senses of Cinema among other publications. He is a member of FIPRESCI and has participated in juries at the Berlinale, Palm Springs, and Carthage film festivals. He is in graduate school studying film and media at the University of Southern California.