An Oscars bellwether with a rich history, TIFF’s People’s Choice Awards are marking their 49th year. Past winners include Chariots of Fire, The Princess Bride, Slumdog Millionaire, and most recently Chloé Zhao's Hamnet, for which Jessie Buckley won the Best Actress Academy Award. All feature films and series in TIFF’s Official Selection are eligible. The four audience-voted awards are the People’s Choice Award, the People’s Choice Documentary Award, the People’s Choice Midnight Madness Award and the International People’s Choice Award. The winners of the People’s Choice Awards are announced on the last Sunday of the Festival (September 20, 2026).
The Platform programme champions films with bold directorial vision and distinctive storytelling. The Platform Prize is a prize of $20,000 CAD given to the best film in the programme, selected by an in-person international jury. Starting in 2026, the winner of the Platform Prize (non-English language) will be eligible for the Academy Award for Best International Feature Film.
Pablo Trapero is a producer, director, and writer. Every one of his feature films has screened at TIFF since 1999, most recently & Sons (TIFF ’25). His debut feature, Crane World (Mundo grúa), won an International Critics’ Week award at Venice, where he received the Silver Lion for Best Director in 2015 for The Clan. Trapero has directed several high-profile television series, including Gordon (2026). Trapero was named a Chevalier of the Ordre des Arts et des Lettres by France’s Ministry of Culture and is a member of the Academy of Motion Picture Arts and Sciences.
Amma Asante is an award-winning writer and director. With her debut feature, A Way of Life (TIFF ’04), she became the first Black director to win a BAFTA award for writing and directing a feature film. Her acclaimed films include Belle (TIFF ’13), A United Kingdom (TIFF ’16), and Where Hands Touch (TIFF ’18). Her television credits include Mrs. America, The Handmaid’s Tale, and Smilla’s Sense of Snow. Asante is a member of the Academy of Motion Picture Arts and Sciences.
Sylvia Chang is a renowned actor, screenwriter, director, and producer whose career spans more than five decades and over 100 films. A multiple Hong Kong Film Award and Taipei Golden Horse Award winner, she received the Asian Film Awards’ Lifetime Achievement Award in 2018. She is devoted to fostering emerging talent through filmmaking and mentorship initiatives.
Luc Déry founded the production company micro_scope in 2002. He has produced over 30 features, all selected by major international festivals and together earning more than 100 awards. Both Incendies (TIFF ’10) and Monsieur Lazhar (TIFF ’11) were nominated for the Academy Award for Best International Feature Film. Other notable features include Gabrielle (TIFF ’13), Tu Dors Nicole (TIFF ’14), My Salinger Year, Drunken Birds (TIFF ’21), Viking (TIFF ’22), Shepherds (TIFF ’24), and Lovely Day (TIFF ’25).
Albert Lee has served as Executive Director of the Hong Kong International Film Festival Society since 2018. With more than four decades of experience spanning film production, distribution, exhibition, and corporate management, he has played a significant role in Hong Kong cinema’s Golden Age, having held senior positions at Golden Harvest and Emperor Motion Pictures. Lee is a member of the China Film Association, the Asia Pacific Screen Academy, and the Producers Branch of the Academy of Motion Picture Arts and Sciences.
@Udine Far East Festival/Photography by Matjaz Tancic
The Best Canadian Feature Film Award honours the unique craft and storytelling in Canadian cinema. All Canadian feature films in Official Selection — excluding first or second features — are considered for the award. The winning filmmaker will receive a $10,000 CAD cash prize.
Hubert Davis is one of Canada’s leading documentary directors, known for work defined by emotional honesty, visual craft, and cultural depth. Davis’ impact has been widely recognized: he was named one of the Visionary Directors on ADWEEK’s 2022 Creative 100 list, and he was the first Black Canadian nominated for an Oscar in 2005.
Deepa Mehta is an Indo-Canadian Oscar-nominated filmmaker whose work is internationally renowned. Her emotionally resonant films include the Elemental Trilogy: Fire (TIFF ’96), Earth (TIFF ’98), and Best Foreign Language Oscar nominee Water (TIFF ’05); Midnight’s Children (TIFF ’12); Canadian Screen Award winner Funny Boy; and her most recent film, I Am Sirat, which premiered at TIFF ’23. Mehta is an Officer of the Order of Canada.
Christina Rogers is Director of Original Film at Netflix, where she oversees a slate of Original Films that has become a mainstay of the service's romantic comedy and holiday programming. Over her decade at Netflix she also oversaw Independent Film Licensing. Prior to Netflix, Rogers was Head of Sales at Magnolia Pictures, and Head of Sales at the National Film Board of Canada.
The Best Canadian Discovery Award celebrates works of emerging filmmakers who contribute to enriching the Canadian film landscape. All Canadian first or second feature films in Official Selection are eligible for this award. The winning filmmaker will receive a $10,000 CAD cash prize.
Zarrar Kahn is a Canadian-Pakistani writer, director, and producer whose debut film In Flames (TIFF ’23) was Pakistan’s entry for the 2024 Academy Awards, a New York Times Critic’s Pick, and premiered at the 76th Cannes Film Festival, where it was nominated for the Caméra d’Or. Based in Toronto, his sophomore film, Suffering Is Optional, is slated for a 2028 release.
Justine Pimlott is a Peabody Award–winning producer most recently honoured with the Rogers-Doc Luminary Award, recognizing her 30+ years of creative excellence and dedication to strengthening the industry. Pimlott has produced over 40 features and shorts, including the award-winning films Any Other Way: The Jackie Shane Story (Canada’s Top Ten, TIFF ’24) and Parade: Queer Acts of Love and Resistance (2025).
Sophy Romvari is a Canadian-Hungarian filmmaker based in Toronto. Since 2015, her critically acclaimed short films have screened at festivals internationally. A collection of her short films is currently available on the Criterion Channel, as well as select films on MUBI and The New Yorker. Her debut feature, Blue Heron, won the Swatch First Feature Award at Locarno and the Best Canadian Discovery Award at TIFF.
Films in the Short Cuts programme are eligible for three jury-selected Short Cuts Awards: Best International Short Film, Best Canadian Short Film, and Best Animated Short Film. These awards provide each winner with a bursary of $10,000 CAD to help them continue achieving success in their careers.
Joecar Hanna is a Chinese-Lebanese filmmaker from Spain. His shorts have premiered at TIFF, Cannes, SXSW, and numerous other prestigious festivals. Talk Me, executive produced by Spike Lee, won Best International Short Film at TIFF 2025 and Best Short at Málaga 2026. He also starred in Alexandre Rockwell’s Lump. Hanna is an NYU Graduate Film alumnus, Ang Lee Scholar, Sony Pictures Classics Marcie Bloom Fellow, and resident of the 51st session of the Cannes Residency (2026). His debut feature, Deliver Me, begins production in fall 2026.
Chris Lavis is an Academy Award–winning director. His first film with longtime collaborator Maciek Szczerbowski, Madame Tutli-Putli (TIFF ’07), was nominated for an Oscar for Best Animated Short. The duo went on to adapt Maurice Sendak’s Higglety Pigglety Pop! starring Meryl Streep. They were nominated for Best Art Direction at the Canadian Screen Awards for Guy Maddin’s The Forbidden Room (TIFF ’15). In 2019, they created Gymnasia, which won the Canadian Screen Award for Best Immersive Experience. Lavis and Szczerbowski’s latest film, The Girl Who Cried Pearls, won Best Canadian Short Film at TIFF 2025 and the Oscar for Best Animated Short Film in 2026.
Iris Ng is an award-winning cinematographer known for work that focuses on human rights, marginalized narratives, and auteur perspectives. Her close collaborations with directors on critically acclaimed documentaries, scripted films, TV, digital series, and films for contemporary artists include the Oscar-shortlisted films Stories We Tell (dir. Sarah Polley, TIFF ’12) and Shirkers (dir. Sandi Tan, 2018), and more recently Twice Colonized (dir. Lin Alluna, 2023) and The Last of the Sea Women (dir. Sue Kim, TIFF ’24).
Presented by the Network for the Promotion of Asian Pacific Cinema, the NETPAC Award recognizes films specifically from the Asian and Pacific regions. The jury consists of three international community members selected by TIFF and NETPAC, who award the prize to the best Asian film by a first- or second-time feature director.
Mara Matta is Associate Professor of South Asian Studies at Sapienza University of Rome. Her work explores cinemas, diasporas, visual cultures, gender, and human rights across South and East Asia, focusing on marginalized communities and independent filmmaking. She is the author of Glimpses of South Asia: Fragments of Love, Hope, Fear and Belonging in South Asian Cinema (Rome, 2026) and a NETPAC jury member since 2006.
Richard Fung is a Trinidad-born artist and writer, and Professor Emeritus at OCAD University. Many of his experimental videos, documentaries, and installations explore connections between Asia, the Caribbean, and Canada, and the intersections of race and queer sexualities. They include Sea in the Blood (TIFF ’00) and Islands (TIFF ’02).
Panagiotis (Panos) Kotzathanasis is a film critic specializing in Asian cinema and owner of Asian Movie Pulse. A FIPRESCI, Greek Cinema Critics Association, NETPAC, Hellenic Film Academy, and Online Film Critics Association member, he writes for international publications, collaborates with Thessaloniki Cinematheque, contributes to film releases, and served as an Erasmus+ “Asian Cinema Education” expert.
The FIPRESCI Prize is presented by an international jury selected by the International Federation of Film Critics. Founded in 1925, the Federation is an organization of professional film critics and film journalists for the promotion and development of film culture and the safeguarding of professional interests. The Federation awards the prize at international film festivals and film festivals of particular importance to promote film art and to encourage new and young cinema.
Pragya Mishra, a seasoned writer and columnist, has been penning a weekly column while covering leading international film festivals for the past 14 years. She is from India and based in the UK. She writes in Hindi and her work blends insightful film criticism and cultural commentary, and offers readers a nuanced perspective on global cinema, emerging voices, and the ever-evolving landscape of the film industry.
Cătălin Olaru has been a film critic since 2009. His roles include Artistic Director of Taifas Film Festival (from 2023), European Film Festival (from 2022), Divan Film Festival (2017–2018), and HipTrip Travel Film Festival (2016–2018). His selected juries include goEast Wiesbaden (FIPRESCI Jury, 2024), Golden Globes (2022), Romanian Oscars committee (2020–2022), Warsaw Film Festival (FIPRESCI Jury, 2020), and Locarno Film Festival (FIPRESCI Jury, 2017).
Savina Petkova (PhD) is a Bulgarian film critic and programmer based in London. She works in various capacities at film festivals such as Locarno and the Cambridge Film Festival. Petkova is a member of the London Critics’ Circle, FIPRESCI, and the European Film Academy. Her writing bylines include The Guardian, Sight and Sound, Cineuropa, Reverse Shot, and Variety.
Enoe Lopes Pontes (PhD) is a member of ABRACCINE, FIPRESCI, and the Brazilian Film Academy, and was a voting member for the Golden Globes for five years. She coordinates the Critics' Lab at the Brazil African Film Festival (Mostra de Cinemas Africanos) and is the creator and coordinator of the Brazilian School of Criticism and Audiovisual Studies. She works as a PR in the cultural sector, as well as a journalist and film critic for the websites Coisa de Cinéfilo and Aratu On.
Victor Stiff is a Toronto-based entertainment journalist, film critic, and film festival programmer. A member of the Toronto Film Critics Association and a Golden Globe International Voter, he has appeared on ET Canada, Global News, and CBC Radio. His writing has been published in POV Magazine, Exclaim!, Global News, CBR, That Shelf, and The Playlist.