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Three Landscapes and Song and Spring
As an antidote to the frenzied Festival pace, Wavelengths offers this all-silent programme — a diptych by Nathaniel Dorsky paired with the much-anticipated new film by Peter Hutton — to renew the senses and recalibrate the pulse.

Wavelengths

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Daring, visionary and autonomous voices. Films that expand our notions of cinema.

The Missing Picture

Director Rithy Panh won the Un Certain Regard prize at last year’s Cannes for this startlingly original work, which uses handmade clay figurines and detailed dioramas to recount the suffering of Panh's family at the hands of the Khmer Rouge regime following the communist victory in Cambodia in 1975.

The Police Officer's Wife

The latest fiction from acclaimed filmmaker Philipp Gröning (Into Great Silence) is a chilling account of a young family’s unraveling and the desperate attempts taken to protect a child’s innocence. With echoes of Bergman and Haneke, The Police Officer’s Wife explores, in intimiste strokes, the dark underside of love, desire, power and shame.

A Spell to Ward Off the Darkness

The first feature-film collaboration between celebrated artist-filmmakers Ben Rivers (Two Years at Sea) and Ben Russell (Let Each One Go Where He May) follows a nameless protagonist (played by musician Robert AA Lowe) as he explores three very different existential options: as a member of a commune on a small Estonian island; living alone in the breathtaking wilds of northern Finland; and fronting a neo-pagan black metal band in Norway.

Three Interpretation Exercises

Acclaimed Romanian director Cristi Puiu (The Death of Mr. Lazarescu, Aurora) transforms what began as an intensive three-week acting workshop into a deeply intelligent, wryly amusing, and compulsively watchable cinematic treatise worthy of Rohmer’s Moral Tales.

Stray Dogs

Imbued with mystery, sly humour, and an enormous heart, the latest film from visionary director Tsai Ming-liang (The Wayward Cloud) links together a series of sumptuously composed scenes that tell the story of a broken family living on the margins of Taipei society.

The Battle of Tabatô

A father arrives in Guinea-Bissau to give his daughter away at her wedding, but must also make peace with memories of his violent past there, in first-time feature director João Viana’s meditation on good and evil.

A Field in England

A muddy West Country field provides the setting for this brilliantly bizarre English Civil War drama and psychedelic horror film from genre-fusing cult director Ben Wheatley (Kill List, Sightseers), which features a group of deserters, a necromancer, psychoactive plants, and buried treasure.

The Strange Little Cat

Loosely inspired by Kafka’s The Metamorphosis, this enchanting, minimalist gem by first-time feature director Ramon Zurcher has won admiring comparisons to the work of such masters as Jacques Tati, Robert Bresson and Chantal Akerman.

MANAKAMANA

The makers of last year’s Festival hit Leviathan served as producers on this astounding sensorial stunner that takes us on a state-of-the-art cable car up and down one of the vast, awe-inspiring Trisuli valleys in Nepal, where the world-famous Manakamana Temple attracts pilgrims and tourists from around the world.

I'm the same I'm an other

A road movie. An unorthodox crime story. Portrait of an unlikely companionship. Belgian director Caroline Strubbe’s uniquely crafted second feature combines all of these to tell the moving story of a man and a child in mourning as they journey through Western Europe.

La última película

Lauded Filipino auteur Raya Martin (Independencia) and Canadian critic-filmmaker Mark Peranson collaborate with Alex Ross Perry (The Color Wheel) and frequent Nicolás Pereda star Gabino Rodriguez for this feverish, aesthetically startling re-imagining of Dennis Hopper’s notorious cult classic The Last Movie.

Un Conte de Michel de Montaigne

Master filmmaker Jean-Marie Straub continues his exploration of classic texts with this "collaboration" with the great 16th-century writer of the Essais.

Three Landscapes

Shot on 16mm, this wondrous silent film study from avant-garde master Peter Hutton (At Sea) observes human movement across three distinct landscapes: Detroit, along the Hudson River Valley and in the Dallol Depression in Ethiopia.

RP31

RP31 is an animation made from 31 film projection test patterns and calibration charts. Used in the motion picture industry to test for focus, aperture, field steadiness, framing, these patterns are images you're not supposed to see, which are made to make you see better.

Song

Shot in San Francisco from autumn of last year through the winter solstice, Nathaniel Dorsky's Song evinces a cool, mysterious tone as it captures the pulse (supernal at 18fps) of the city.

The King's Body

Celebrated Portuguese auteur João Pedro Rodrigues (To Die Like a Man) enlists a group of musclemen for this brilliant and idiosyncratic inquiry into his country’s centuries-old fascination with the legendary king Afonso Henriques.

A Thousand Suns

Mati Diop fuses documentary and fantasy in this hauntingly beautiful portrait of Magaye Niang, star of her uncle Djibril Diop Mambéty's 1973 classic Touki-Bouki.

Story of My Death

Following his radical (re-)interpretations of Cervantes' Don Quixote (Honor de Cavalleria) and the Biblical tale of the Three Kings (Birdsong), celebrated Catalan filmmaker Albert Serra imagines an encounter between two other legendary figures of world literature — Casanova and Count Dracula — in this deliciously eccentric and exquisitely detailed riff on the historical costume drama.

Pays Barbare

Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.

Letter to a Refusing Pilot

Lebanese artist-filmmaker Zaatari conducts both an investigation and a stirring tribute to an act of resistance (or forbearance) that marked his childhood memories: the refusal of an Israeli pilot to bomb a boys' high school in south Lebanon in 1982.

Redemption

Miguel Gomes (Tabu) muses with characteristic humour and melancholia upon small-scale, perversely prescient moments of human fallibility in this witty and affecting found-footage film.

Spring

Nathaniel Dorsky's Spring conjures an abundant return of light and a retreat into nature so dense and rich that the film itself becomes a sort of wondrous garden-verdant, incandescent, with startling bursts of colour.